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Screensong (2024)

Single-channel video piece, 3’58
16:9 / SD digital file / color / stereo

_{U Contemporary Gallery, Public/Private, Moscow, Russia 2024
Bomba Gallery, Bomba Video Club, Moscow, Russia 2024
L.A.M.A., Bad Video Art, Cosenza, Italy 2024
Goes :art Channel TV, On Screen, Online 2024
The Wrong Biennale, Television, Online 2024}

_{Ergastule, DJTAL Humain, Nancy, France 2024}

_{Video Art Forum, Khobar, Saudi Arabia 2024
CMU Kresge Theatre, Pittsburgh, USA 2024}

_{Re-Fest, CultureHub, Online 2024}

_{CRD of Pantin, France 2024}

“ Screensong is a video piece, a musical system that exists only through a visual process, in this case the representation of the machine eye trespassing into domestic and private space. Obsessed with analyzing the objects around him and transforming them into data, it itself becomes an audiovisual object with which the video plays. “

Desktopsongs is a cycle of video pieces questioning our relationship with technology. Each work - inspired by desktop movie practice - is a musical system dependent on a visual process, tending towards an economy of the device. The cycle includes Screensong, questioning data privacy, Simonsong, questioning technological hegemony in the world of contemporary music, Playpausesong, questioning mass media consumption, and Playersong, questioning the mediatization of weapons over the Internet.