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Screensong (2024)

Single-channel video piece, 3’58
16:9 / SD digital file / color / stereo

“ Screensong is a video piece, a musical system that exists only through a visual process, in this case the representation of the machine eye trespassing into domestic and private space. Obsessed with analyzing the objects around him and transforming them into data, it itself becomes an audiovisual object with which the video plays. “

Desktopsongs is a cycle of video pieces questioning our relationship with technology. Each work - inspired by desktop movie practice - is a musical system dependent on a visual process, tending towards an economy of the device. The cycle includes Screensong, questioning data privacy, Simonsong, questioning technological hegemony in the world of contemporary music, Playpausesong, questioning mass media consumption, Playersong, questioning the mediatization of weapons over the Internet, and Picklesong, questioning the idea of gesture in “expanded” music.

^{Bomba Gallery, Bomba Video Club, Moscow, Russia 2024
L.A.M.A., Bad Video Art, Cosenza, Italy 2024
Goes :art Channel TV, On Screen, Online 2024
Ergastule, DJTAL Humain, Nancy, France 2024
CMU Kresge Theatre, Pittsburgh, USA 2024
Re-Fest, CultureHub, Online 2024
CRD of Pantin, France 2024}

^{DJTAL Humain Prize, Art Mercator 2024}